Artists, be it graffiti painters, writers, sculptors, researchers, filmmakers, or song producers, feel this need and come up with ‘avant-garde’ artistic tools, software and techniques - giving rise to art as we experience today. With every passing era, the need to break the shackles of obsolete norms and rules is desperately felt.
One such characteristic movement is of street artists.Ģ1st-century art is thriving with tasteful pieces on the diverse ongoings in the world, combined with the evolution of our experiences and preferences. This makes the British art scenario the most creatively diverse and distinct, giving rise to new movements and developments. Moreso, it is currently ranked as the most magnetic city by GPCI, powerful enough to attract a variety of creative individuals and enterprises. He has also been noted for his series of images representing the homeless, begun in 2005, which depict them standing, sitting or laying on sidewalks, in attempts to bring attention to what he views as a global problem.Britain is the epicentre of modern art and its rich art history is proof enough. Many of his pieces are pictorials of solitary individuals in opposition to larger, oppressive groups. He has had a great influence on today's graffiti art and "urban art" movements, the main motivation of his work being social consciousness and the desire to bring art to the people. From that point on, he has worked mainly with pre-stenciled posters, citing the speedier application of the medium to walls, as well as lessened punishment should he be caught in the act. Blek is credited with being the inventor of the life-sized stencil, as well as the first to transform stencil from basic lettering into pictoral art.īlek's identity was revealed to French authorities in 1991 when he was arrested while stenciling a replica of Caravaggio's Madonna and Child, with the connection to Blek and his artwork being made by police. He also stated the influence of New York's Richard Hambilton, who painted large-scale human figures in the 1980s. Initially influenced by the early graffiti art of New York City after a visit in 1971, he chose a style which he felt better suited Paris, due to the differing architecture of the two cities. His name originates from a childhood cartoon "Blek le Roc", using "rat" as an anagram for "art". He began his artwork in 1981, painting stencils of rats on the street walls of Paris, describing the rat as "the only free animal in the city", and one which "spreads the plague everywhere, just like street art". Blek le Rat, born Xavier Prou in Boulogne-Billancourt, Paris in 1951, was one of the first graffiti artists in Paris, and the originator of stencil graffiti art.
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